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MetLife Stadium

MetLife Stadium

Assistant Broadcast Engineer

MetLife Stadium - Manager
East Rutherford · NJ
Broadcast Production · Broadcast, Media, & DBTV · Broadcasting
$70,000 - $90,000 / year
Job Title: Assistant Broadcast Engineer
Department: Broadcast/Media (Stadium Technology)
Reports to: Broadcast Engineer
Classification: Exempt

Position Summary
Provides video and audio engineering/operation services and broadcast services to MetLife Stadium (MLS). Provides facilities and services for video and audio productions, team assets, video display and large format LED displays, as well as engineering support to stadium video and audio control rooms and broadcast trucks. Provides support and maintenance for simultaneous video production of primary event feeds, IPTV video production distribution, web streaming, social networking, control room operations and external video presentations. Maintains and tests all audio and visual equipment and systems for tenant needs throughout MLS. Supervises the work of part-time and casual employees consisting of contracted Broadcast Engineers and Audio-Visual crew members.

Essential Functions
  • Responsible for providing high level of customer service to both NFL teams, maintaining absolute neutrality on all team issues and protecting confidentiality of each team’s information
  • Communicates effectively (oral and in writing) with NMS management, ownership and other stakeholders
  • Performs as Engineer for all Broadcast, A/V, and Media Services related to remote production trucks to ensure all signals and data are routed properly.
  • Works with the Broadcast Engineer in coordination and systems engineering as required or dictated by Stadium event schedule; this includes all systems within the stadium FOH, BOH, video replay room and audio control suites.
  •  Assists to maintain the integrity and operability of all stadium audio and video (AV) infrastructure and systems within the entire Stadium.
  •  Monitors equipment that may be malfunctioning during broadcasts and implements timely solutions so that the broadcasts remain uninterrupted; handles emergency repairs during events; Provides proactive engineering maintenance support for all systems to minimize event impact.
  •  Supports Teams and third-party events in show presentation at the direction of the department director.
  •  Assist the Broadcast Engineer to develop engineering solutions to accommodate facility needs and team requests and equipment usage schedules, procedures for equipment maintenance, repair, upgrade, and installations.
  •  Maintain communication and establish direct lines of contact with manufacturers to coordinate and authorize warranty repairs for both preventive and predictive maintenance. This includes constant communication with all current and future vendors to stay up to date with emerging tech that can improve workflow and take the stadium into the future.
  •  Monitors acquisition and use of materials, consumables, and animation media.
  •  Maintains work orders, material, equipment and other departmental records and submits timely reports to the Broadcast Engineer to maximize departmental revenues; this is crucial to keep annual budgets current and ready for discussions.
  • Provides Broadcast Engineer and Director of Broadcast, Media and AV Services recommended items to include in operating and capital budgets.
  •  Creates and updates documentation on current engineering design requirements, limitations, and what can be augmented for improved workflows and future upgrades.
  •  Supervises technical engineering personnel crewed to an event.
  •  Maintain and update stadium CAD DWGs to aid in troubleshooting, freelancer event setup and to assist personnel in system upgrades.
  •  Be vigilant in staying up to date with industry standards and state of emerging tech to forward the advancement of video and audio for the stadium FOH, BOH, and Control Rooms.

Required Qualifications
To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. The employee should have:
  •  High School Degree/GED required
  •  Bachelor’s Degree (B.A.) in related field preferred; Broadcast/Communications.
  •  3 - 5 years of component level engineering support at network, major market or large facility level.
  •  Experience in all aspects of television: engineering, production, postproduction, programming and traffic beneficial
  •  SMPTE, AES standards and regulations in both existing and emerging technologies.
  •  Knowledge of basic concepts of component engineering relating to house audio distribution and the facility’s video replay equipment.
  •  Knowledge of the tools, equipment, and materials common to the analog and digital broadcasts trade.
  •  Knowledge of Word, PowerPoint, Excel, etc.
  •  Possess knowledge of digital and analog audio systems and distribution networks(Q-Sys)
  •  Knowledge of AV Broadcast Routing Solutions

Preferred Qualifications
Knowledge of; Sony Cameras, CCU’s, Riedel Bolero Wireless and Wired Intercom Comm System, Evertz EQX Router and Systems, EVS System, Evertz Dreamcatcher, Chyron Equipment, Ross Production Switcher, Ross Tria, Dante and Q-Sys Audio Network, Familiarity with Stadium Truck Dock Infrastructure, Wave Central ENG Cam Tx/Rx systems, IPTV(FanConnect), audio decoding and distribution equipment, Multicasting Solutions, Spreadsheet software, Word Processing and CAD software.

Work Environment:
  • Employee will be required to workdays, nights, weekends, and holidays due to the unique Stadium schedule.
  • The noise level in the work environment is usually moderate, however, during events the noise level may be loud.

Physical Demands:
This position requires the ability to perform the essential functions of the role in a stadium environment, with or without reasonable accommodation.
  • Mobility & Access: Regularly required to move throughout the stadium, including control rooms, concourses, dock areas, and field-level locations during events and event preparation. 
  • Stairs & Vertical Access: Frequently required to climb stairs and ladders to access control rooms, catwalks, camera positions, and broadcast infrastructure areas. Use of elevators may not always be feasible during live event operations. 
  • Standing & Movement: Required to stand and walk for extended periods, particularly during live events, event setup, and breakdown. 
  • Lifting & Equipment Handling: Frequently required to lift, carry, push, and/or move broadcast, audio-visual, and production equipment up to approximately 50 pounds. This may include cables, monitors, cases, and related gear. 
  • Manual Dexterity: Requires fine hand manipulation and coordination to operate broadcast equipment, wiring, control systems, and technical interfaces. 
  • Working at Heights: Required to work at elevated positions (e.g., catwalks, platforms, camera wells) in connection with broadcast and AV operations. 
  • Environmental Conditions: Work is performed in both indoor and outdoor stadium environments and may involve exposure to varying weather conditions (heat, cold, wind, precipitation). 
  • Noise Levels: May be exposed to elevated noise levels during live events, requiring the ability to safely operate in high-noise environments.

Benefits & Leave
MetLife Stadium offers a comprehensive benefits package to eligible employees, which may include medical, dental, vision, life insurance, and retirement savings plans, in accordance with company policy and plan eligibility requirements.
In addition, employees are provided with leave benefits in compliance with applicable federal and New Jersey laws. All benefits are subject to eligibility requirements, applicable waiting periods, and the terms and conditions of the governing plan documents and policies.

Job Questions:

  1. Are you authorized to work in the United States?

  2. Are you able to work the unique stadium schedule that includes tradition hours and ability to work every event that includes days/nights/weekends/holidays and holidays as needed?

  3. Do you live within driving distance of MetLife Stadium?

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